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2013 · Dance – stage work

Azimuth

Alonzo King · Hubbard Street Dance Chicago

A large-ensemble work by Alonzo King created for the combined dancers of Hubbard Street Dance Chicago and Alonzo King LINES Ballet, a meditation on transcendence set to an original score by Ben Juodvalkis interwoven with sacred and choral recordings.

Premiere
2013-02-01
Venue
Zellerbach Hall, UC Berkeley (Cal Performances)
Where
Berkeley, CA
Performances
Joint Hubbard Street Dance Chicago / Alonzo King LINES Ballet tour, 2013: Harris Theater, Chicago (March 2013); Overture Hall, Madison, WI (March 2013); Dorothy Chandler Pavilion, Los Angeles (Glorya Kaufman Presents Dance at The Music Center, through June 23, 2013).
Credits
Choreography: Alonzo King. Original music: Ben Juodvalkis, combined with recorded works by the Chamber Choir of Versija, Escolania de Montserrat, Richard Kaplan and Mrs. Sidney Carter. Costumes: Robert Rosenwasser. Lighting: Axel Morgenthaler. Visual effects: Jim Doyle. Performed by 28 dancers (16 from Hubbard Street, 12 from LINES), including Courtney Henry, Laura O'Malley, Ricardo Zayas, Kellie Epperheimer, Meredith Webster, Alice Klock, Kevin Shannon, Johnny McMillan, Caroline Rocher, Keelan Whitmore, Michael Montgomery.

Press

“the dancers moved fluidly through the piece in constellations of small groups, trios, duets, and ensembles to original music by composer/musician Ben Juodvalkis”

“largely of a religious or spiritual nature and helps frame the piece as one with higher aspirations beyond the mundane world”

“Collaboration was everywhere; from dancers costumed like sand bodies by constructionists Joan Raymond and Rebecca Shouse to Ben Juodvalkis's original music.”

“The bodies of dancers in nude or near-nude leotards enter the stage to a choral interlude in Ben Juodvalkis's original music.”

“Much of the score for 'Azimuth' depended on liturgical music drawn from Judaic, Christian, and Gospel sources, including original musical collaborations by Ben Juodvalkis.”

“the recently debuted, hit-and-miss Azimuth, King's overlong and rather cluttered set of nine dances to original music by Ben Juodvalkis”

“For 'Azimuth,' King chose some original music by Millennial generation Bay Area composer Ben Juodvalkis, and a lot of Russian liturgical chants.”

Elsewhere

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